Anna Delvey has her name tied to some recent headlines that aren’t the nicest, but it’s not something she had a hand in. The scandal erupted after three rabbits were discovered abandoned in a Brooklyn park just hours after being featured in a photoshoot with Delvey.

Almost immediately, the internet pounced. The narrative spread quickly: Delvey had staged a shoot with the animals and then allegedly left them behind. For many, it became an irresistible story of glamour gone wrong, but the truth paints a very different picture.

Let’s get into it…

Who Actually Left the Rabbits?

Responsibility was admitted by a hairstylist’s assistant, who said he panicked and released the rabbits into the park, believing it was “safe.” The assistant, just 19 years old, has since apologized publicly.

Importantly, Delvey herself never handled the animals, nor was she in charge of their return. “I was talent—I trusted my team,” she explained, emphasizing her horror when she learned what had happened.

Backlash and Unfair Blame

Despite clear admissions of fault from others, it was Delvey’s name that carried the blame online. Critics argue this reflects a pattern: as a high-profile woman with a complicated reputation, she’s often the easiest target when controversy surfaces. What got lost in the noise was the fact that she was not the one who abandoned the pets.

The Bunnies’ Rescue

Thankfully, the story doesn’t end in tragedy. Three animal advocates stepped in, making all three now safe and sound. Their rescue has drawn attention to a broader issue: rabbits are among the most frequently abandoned pets, especially after holidays like Easter.

Anna’s Response

In addition to denouncing the incident, Delvey pledged a $1,000 donation to a rabbit rescue group and committed to tighter oversight on future projects. She also launched a new Tee, with 20% of profits going to PETA.

Why It Matters

The “Bunnygate” fallout is a reminder of how quickly blame can stick, even when misplaced, and how easily women (especially those with a history of public scrutiny) can be painted as villains in narratives not of their making.

In the end, the rabbits are safe, the assistant has confessed, and Anna has turned the ordeal into a call for awareness. Whether you view her as a provocateur or a cultural commentator, one thing is clear: this scandal says more about the internet than it does about her.

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