There’s something wildly freeing about watching someone shed their past right in front of you, and last night, nearly 20,000 of us did just that when Kesha brought her Tits Out Tour to The Xfinity Center in Mansfield, MA.

Performing to a sold-out crowd of 19,900, Kesha reminded every single person why she’s one of the most important pop voices of the last two decades. It was more than a concert, it was a theatrical, healing, high-energy ritual of transformation.

The night opened with “Tik Tok,” the monster hit that changed her life, and many of ours, back in 2010. The crowd exploded and went wild, but this wasn’t the same girl from the glitter-drenched music video.

This Kesha walked onstage holding a severed head, a symbol of her old self. Dark? Maybe. Powerful? Absolutely. It was her way of saying: I’m not her anymore, and that message set the tone for the night. The singer revealed she has remixed all of her old songs after finally being able to sing what she wrote and recorded over the years.

Next came “Only Love Can Save Us Now,” a gut-punch track from 2023’s “Gag Order.” Vocally, Kesha ate. The grit. The control. The scream-cry energy. She gave everything. It wasn’t just a performance, it was a soul purge.

Then came the Warrior era medley, and it felt like a trip through time. “Crazy Kids,” “C’Mon,” and “Thinking of You” lit up the night with Y2K nostalgia, each track a reminder of how many eras she’s survived and slayed.

Act Two, titled “Heaven in Hell,” lived up to its name. The angel of chaos herself ran the show, with electric transitions from “Sleazy” into “Boy Crazy,” followed by a mashup of “Cannibal” and “Delusional.” It was cunt, wild, and iconic, the kind of genre-bending chaos only Kesha could pull off.

“Take It Off” closed the act with a dirty-pop punch. Literally a free for all on stage, just as her lyrics promise.

Then came the most vulnerable section of the night: Act Three, “Genius or Crazy?” Starting with “Blow,” the energy shifted. When she performed “The Drama” and “Fine Line,” something in the air cracked open.

Kesha, dressed in a straitjacket, physically dragged across the stage, gave a visual of what it feels like to be pushed past your limit: mentally, emotionally, spiritually. It was raw. Heavy. Uncomfortable in the best way.

But just as the pain peaked, the healing began. After speaking directly to her fans from stage, she performed “Happy” and “Eat the Acid,” sending light into the dark. You could feel the crowd soften, and connect.

Act Four, “Freedom Cunt,” was pure euphoria. “Freedom,” “Attention,” “Joyride,” and “Yippee-Ki-Yay” (featuring a surprise remix of “Timber”) had the entire arena on our feet.

This was Kesha unleashed. You could see it in her eyes… she’s not just surviving anymore, she’s thriving. Then came “Red Flag,” followed by a short but sweet performance of “Dinosaur” (a fan fave), “The One,” and “Die Young.”

The encore, Act Five, appropriately titled Period., brought the night full circle. “Cathedral” and “Praying” were blended into one massive emotional release. Her voice soared. She looked like a woman reborn.

The final songs, “Your Love Is My Drug” and “We R Who We R,” reminded us why we fell in love with her in the first place: because she made us feel like being different was a good thing. And it still is.

The Tits Out Tour isn’t just glitter and screams and cathartic chaos; it’s a coming of age story for every person who felt lost and is learning to feel whole again. If freedom had a sound, it would be this.

Get tickets to The Tits Out Tour here + stream . (PERIOD) now